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And I can't wait for the movie to be released in my country - I just know its music will be spectacular. That short clip alone displayed a high level of technical mastery, proving that Kyoto Animation is a master of design and animation.įor the most part, Violet Evergarden met my expectations. It was difficult not to have high expectations for Violet Evergarden when its teaser came out. Plus, the 2003 Naruto OST ends with "wind", a motivational and self-affirming English track by Akeboshi that's regarded as one of the best EDs to this day. Old fans who'll listen to "I Said I'm Naruto", "Survival Examination," "The Rising Fighting Spirit," "Glued State," and "Naruto Main Theme" from the 20 OSTs by Toshio Masuda will easily recall their younger years when afternoons were spent watching the anime on TV. I don't know when the Naruto franchise will end now that Boruto exists and seems to be making money for its producers, but I'll always defend the quality music and the diverse instrumentation in the series. You do get classical tracks here and there, including the iconic "Watashi no Uso" piano solo and "Yuujin A-kun wo Watashi no Bansousha ni Ninmeishimasu".īut it also has fluffy, lighthearted, and even groovy entries(looking at you, "Onna Doushi no 'Kawaii'"). The OST captures those different parts that altogether make Your Lie in April the beloved show it is. It had slice-of-life elements, drama, and the familiar feelings of young people making sense of their emotions (especially love). Your Lie in April wasn't all about performing classical music. Some may have expected the OST to contain only instrumental tracks, particularly featuring piano and violin, but it's actually varied - and that's how it should be. Yes, the opening theme "Hikaru Nara" by the J-pop act Goose house is one of the biggest hits of the past decade.
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Shigatsu wa Kimi no Uso (Your Lie in April)
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And if that were to come true, I would be delighted to have the tracks here for when I want to do nothing - and perhaps have tea. People sometimes say how they wish their lives had soundtracks like in the movies. K-On! is filled with mundane yet meaningful moments, some even not having any conversations, and it's the job of the background music and the visuals to highlight the beauty in the ordinary.
Terror in resonance ost series#
You can listen to the two lovely mini-albums to hear Yui and the rest sing their cute and rocking songs, but the actual original soundtrack of the series is rewarding in a different way. K-On! is a slice-of-life, CGDCT series from Kyoto Animation that revealed the genius of Naoko Yamada.
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The following OSTs have done that with flying colors. It needs to be placed at the right moments, and evoke memories of the anime even when you're only listening to the OST.Ī good anime soundtrack must contribute to the story, feel attached to the world, and truly stand out. So it's not just about being a well-produced and beautifully written track. It can elevate a show, but it can also contribute to its ruin (or lackluster reception, at least). A catchy opening theme can set the right mood and entice more people to catch the show - and the same goes for any other song in it. More of than not, music is a valuable element in anime series and films.